Maria Gutierrez (La Belle Esclave); Davit Galstyan (Le Corsaire); Takafumi Watanabe (Le Sultan); Juliette Thélin (La Favorite); Demian Vargas (Le Compère); Juliana Bastos (Les Deux Esclaves); Henrik Victorin (Le Riche Marchand); Cédric Pons (Les Deux Janissaires); Joël Sitbon (Les Deux Janissaires); Julie Loria (Les Deux Esclaves)
Hailed by Le Figaro as ‘simply magnificent: a miracle in two acts’, Kader Belarbi’s new production of Le Corsaire is a bold reinvention of a 19th-century classic. Belarbi’s fresh scenario and choreography give this colourful yet ultimately tragic story of the
corsair (Davit Galstyan) and the beautiful slave-girl who captures his heart (Maria Gutierrez) renewed clarity and simplicity. David Coleman conducts a score based on Adolphe Adam’s original work, but enhanced with music by composers from
Massenet to Sibelius, as well as new compositions and orchestrations by Coleman himself. The score is the result of close collaboration between Belarbi and Coleman, and its strong and coherent musical framework brings Belarbi’s staging to life. This is a version of Le Corsaire for the modern age, giving the work – in Belarbi’s words – ‘resonance and
meaning today’. Filmed in High Definition and recorded in true Surround Sound.
Maria Gutierrez (La Belle Esclave); Davit Galstyan (Le Corsaire); Takafumi Watanabe (Le Sultan); Juliette Thélin (La Favorite); Demian Vargas (Le Compère); Juliana Bastos (Les Deux Esclaves); Henrik Victorin (Le Riche Marchand); Cédric Pons (Les Deux Janissaires); Joël Sitbon (Les Deux Janissaires); Julie Loria (Les Deux Esclaves)
Hailed by Le Figaro as ‘simply magnificent: a miracle in two acts’, Kader Belarbi’s new production of Le Corsaire is a bold reinvention of a 19th-century classic. Belarbi’s fresh scenario and choreography give this colourful yet ultimately tragic story of the
corsair (Davit Galstyan) and the beautiful slave-girl who captures his heart (Maria Gutierrez) renewed clarity and simplicity. David Coleman conducts a score based on Adolphe Adam’s original work, but enhanced with music by composers from
Massenet to Sibelius, as well as new compositions and orchestrations by Coleman himself. The score is the result of close collaboration between Belarbi and Coleman, and its strong and coherent musical framework brings Belarbi’s staging to life. This is a version of Le Corsaire for the modern age, giving the work – in Belarbi’s words – ‘resonance and
meaning today’. Filmed in High Definition and recorded in true Surround Sound.