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Verdi: Macbeth
Simon Keenlyside (Macbeth); Liudmyla Monastyrska (Lady Macbeth); Raymond Aceto (Banquo)
Black, red, cream and gold are the colours that define Phyllida Lloyd’s Royal Opera House staging of Verdi’s robust, yet penetrating setting of Shakespeare’s Scottish play. Manipulated by a whole coven of cunning, scarlet-turbanned witches, the characters often evoke figures in a splendid Gothic fresco. With Simon Keenlyside making his British debut, as an athletic, brooding Macbeth and Liudmyla Monastyrska as his Lady, both imperious and subtle, this performance, masterfully conducted by Antonio Pappano, goes far beyond mere sound and fury.
DVD
Genre: Opera
Release Date: 01/02/2012
Sound Formats: 2.0LPCM + 5.1(5.0) DTS
Ratio: 16:9 Anamorphic
Subtitles: EN, FR, DE, IT, ES
Catalogue Number: OA1063D
BLU-RAY
Genre: Opera
Release Date: 01/12/2012
Sound Formats: 2.0LPCM + 5.1(5.0) DTS
Ratio: 16:9
Subtitles: EN, FR, DE, IT, ES
Catalogue Number: OABD7095D
Conductor(s):
Antonio Pappano
Antonio Pappano
Orchestra(s):
The Orchestra of the Royal Opera House
The Orchestra of the Royal Opera House
Artist(s):
Simon Keenlyside; Liudmyla Monastyrska; Raymond Aceto; The Orchestra of the Royal Opera House; Antonio Pappano
Simon Keenlyside; Liudmyla Monastyrska; Raymond Aceto; The Orchestra of the Royal Opera House; Antonio Pappano
"...an impressive company showcase, full of moments when chorus and orchestra are at full throttle. Whipped up by Antonio Pappano's baton, they sound truly thrilling." (The Guardian)
"He conducted Verdi’s score with a tangible sense of drama and fire." (Seen and Heard International)
"Simon Keenlyside and Liudmyla Monastyrska give one of the finest portrayals of the couple that I have come across. In both cases what lifts them into the category of the very special is the way they manage to chart the character’s development. Macbeth is a role that Keenlyside has grown into. He has the depth, the charisma and the energy that make the role complex and interesting; more than a great soldier laid low. His baritone is rounded and complex, just right to capture the many facets of the character’s journey." (Musicweb International)
"you know that Keenlyside is an accomplished lieder-singer by the dramatic precision in this phrase readings throughout (his Act 4 aria has such emotional transparency he almost breaks your heart)... Monastyrska unleashes such pent-up venom with her sharp-edged vocalism that the total package is almost too psychologically repulsive... the production is wonderfully atmospheric... Pappano is the most important artistic catalyst" (Gramophone)
"He conducted Verdi’s score with a tangible sense of drama and fire." (Seen and Heard International)
"Simon Keenlyside and Liudmyla Monastyrska give one of the finest portrayals of the couple that I have come across. In both cases what lifts them into the category of the very special is the way they manage to chart the character’s development. Macbeth is a role that Keenlyside has grown into. He has the depth, the charisma and the energy that make the role complex and interesting; more than a great soldier laid low. His baritone is rounded and complex, just right to capture the many facets of the character’s journey." (Musicweb International)
"you know that Keenlyside is an accomplished lieder-singer by the dramatic precision in this phrase readings throughout (his Act 4 aria has such emotional transparency he almost breaks your heart)... Monastyrska unleashes such pent-up venom with her sharp-edged vocalism that the total package is almost too psychologically repulsive... the production is wonderfully atmospheric... Pappano is the most important artistic catalyst" (Gramophone)
Simon Keenlyside (Macbeth); Liudmyla Monastyrska (Lady Macbeth); Raymond Aceto (Banquo)
Black, red, cream and gold are the colours that define Phyllida Lloyd’s Royal Opera House staging of Verdi’s robust, yet penetrating setting of Shakespeare’s Scottish play. Manipulated by a whole coven of cunning, scarlet-turbanned witches, the characters often evoke figures in a splendid Gothic fresco. With Simon Keenlyside making his British debut, as an athletic, brooding Macbeth and Liudmyla Monastyrska as his Lady, both imperious and subtle, this performance, masterfully conducted by Antonio Pappano, goes far beyond mere sound and fury.
DVD
Genre: Opera
Release Date: 01/02/2012
Sound Formats: 2.0LPCM + 5.1(5.0) DTS
Ratio: 16:9 Anamorphic
Subtitles: EN, FR, DE, IT, ES
Catalogue Number: OA1063D
BLU-RAY
Genre: Opera
Release Date: 01/12/2012
Sound Formats: 2.0LPCM + 5.1(5.0) DTS
Ratio: 16:9
Subtitles: EN, FR, DE, IT, ES
Catalogue Number: OABD7095D
Conductor(s):
Antonio Pappano
Antonio Pappano
Orchestra(s):
The Orchestra of the Royal Opera House
The Orchestra of the Royal Opera House
Artist(s):
Simon Keenlyside; Liudmyla Monastyrska; Raymond Aceto; The Orchestra of the Royal Opera House; Antonio Pappano
Simon Keenlyside; Liudmyla Monastyrska; Raymond Aceto; The Orchestra of the Royal Opera House; Antonio Pappano
"...an impressive company showcase, full of moments when chorus and orchestra are at full throttle. Whipped up by Antonio Pappano's baton, they sound truly thrilling." (The Guardian)
"He conducted Verdi’s score with a tangible sense of drama and fire." (Seen and Heard International)
"Simon Keenlyside and Liudmyla Monastyrska give one of the finest portrayals of the couple that I have come across. In both cases what lifts them into the category of the very special is the way they manage to chart the character’s development. Macbeth is a role that Keenlyside has grown into. He has the depth, the charisma and the energy that make the role complex and interesting; more than a great soldier laid low. His baritone is rounded and complex, just right to capture the many facets of the character’s journey." (Musicweb International)
"you know that Keenlyside is an accomplished lieder-singer by the dramatic precision in this phrase readings throughout (his Act 4 aria has such emotional transparency he almost breaks your heart)... Monastyrska unleashes such pent-up venom with her sharp-edged vocalism that the total package is almost too psychologically repulsive... the production is wonderfully atmospheric... Pappano is the most important artistic catalyst" (Gramophone)
"He conducted Verdi’s score with a tangible sense of drama and fire." (Seen and Heard International)
"Simon Keenlyside and Liudmyla Monastyrska give one of the finest portrayals of the couple that I have come across. In both cases what lifts them into the category of the very special is the way they manage to chart the character’s development. Macbeth is a role that Keenlyside has grown into. He has the depth, the charisma and the energy that make the role complex and interesting; more than a great soldier laid low. His baritone is rounded and complex, just right to capture the many facets of the character’s journey." (Musicweb International)
"you know that Keenlyside is an accomplished lieder-singer by the dramatic precision in this phrase readings throughout (his Act 4 aria has such emotional transparency he almost breaks your heart)... Monastyrska unleashes such pent-up venom with her sharp-edged vocalism that the total package is almost too psychologically repulsive... the production is wonderfully atmospheric... Pappano is the most important artistic catalyst" (Gramophone)
